Fall Knitting



Designer Tonia Barry takes a stab at knitting one her own Fall 2012 patterns:


The original Dust of Snow cardigan, in booklet 9205 The Road Not Taken

This year I made a vow to get one piece from our Fall Collection on the needles and completed by the end of September. Every year I have the same plan but always manage to get off track with my daughters' back to school activities. This year I will not get sidetracked! I will be seen at every cross country meet, open house, and homecoming event working on my Dust of Snow.

Here is the beginning of my first sleeve, this was actually my swatch. Yes, I was too lazy to swatch. I figure I already swatched it enough when I designed it.

Dust of Snow in progress - photo take at first cross country meet of the season!

The sweater pattern is written so that the body is worked in one piece to the armholes and then divided for the fronts and back. Because I need this project to be portable I decided to work it in pieces. 

 Cheryl worked a sleeve first.
 
It's pretty easy to do this because the pattern gives you the number for both the front and back sections. No need to do any math. In my case I wanted a selvedge stitch for seaming so I added one extra stitch on either side of the back and one at the seam edge of each front. When it comes time to bind off for the underarm I will divide the number of stitches to BO by 2 and continue on my merry way, so that I can wear it as soon as the weather gets chilly. (If you are working size XS, S, or L, there is no problem working in pieces. Unfortunately, for sizes M and XL, the seam falls in the center of a large cable - I wouldn't recommend trying to convert the pattern for these sizes.)

 Vista yarn - check; size 7 needle - check; pattern - check:
Betsy is getting ready to cast on!

The original Dust of Snow was knit in Alabaster 6016, and that's the color Cheryl has chosen. I'm knitting mine in Peat 6076, and Betsy is about to start hers in Seal 6077. We'll keep you posted on our progress!
 





Remembering Chelsea


Chelsea Gable, the voice of Classic Elite Yarns, passed away in an auto accident on September 3rd. Chelsea was such a positive presence – she laughed a lot, loved her various jobs, and especially loved the yarnie-world.

At TNNA, June 2010

Betsy Perry, owner of Classic Elite Yarns, remembers when she first spoke to Chelsea about a job with CEY – Chelsea described herself this way:
I spent much of my adult life concertedly laying the groundwork for a future career in hospitality [where she held several significant positions]. That all changed when I picked up my first pair of knitting needles. I learned to knit in the summer of 2008 on a summer cottage on the banks of Lake Blaisdell, surrounded by three generations of knitters. I continued on the screened porch, in the car, on the train, at home, and sitting in restaurants and cafes. I consumed books, videos and blogs.
When I was hired part time at my local yarn store, my knitting career exploded; I was able to pursue my craft in a creative, colorful and expressive environment and my skill, knowledge, and creative boldness increased exponentially! During my days and nights of working in a restaurant, I often mourned the hours that could be spent researching knitting, talking about knitting, or actually knitting.
Chelsea joined CEY in early 2010 and worked on all sorts of projects – writing copy, overhauling the website, getting this blog up and running, publishing the Web-Letter and every other odd-ball project that came her way. She grew up in NYC and loved visiting there regularly, but she also loved Boston and camping in New Hampshire.

Posing for a Web-Letter photo (she didn't want to do it, but complied with a big smile anyway).

Everyone at CEY, whether they worked much with her or not was touched by Chelsea. A few of our favorite memories and stories follow – if you would like to share one of your memories of Chelsea, please feel free to do so in the comments.


Chelsea was a delightful, bright and beautiful woman. She was always upbeat no matter how much we would bug her with questions and requests and problems. She had a wonderful talent with words – her writing was fluid and clear and always entertaining. She had a smile for everyone and great stories to share. She will be missed here and in the world.
-Andi


I did not have the same interaction with Chelsea that most of our crew did. Mostly a greeting in the morning or a "Good Night" when leaving. And some occasional chit chat in the lunchroom. Chelsea was just so pleasant, upbeat and full of energy. Most of all she had the best great big smile, I am really going to miss that smile.
-Jim

Office knit-a-long, August 2011
In one of my last conversations with Chelsea she made me feel really good about myself with one simple line... We all know it's a little difficult parenting 17 year olds, because Chelsea sat the next cube over from me she couldn't help but hear me on the phone with my daughter who was being a bit difficult. After the call, she and I joked about the situation and Chelsea said you are such a calm and good Mom. Chelsea had a gift for making others feel good about themselves.

I am very glad that I told her that my work day was more fun when she was in the office. I will miss her terribly.
-Tonia


I would just like to say how warm and friendly Chelsea was. She would help me with my computer from time to time. I never saw her mad or upset, always upbeat. Chelsea, you will surely be missed.
-Terri

"I finished my Elizabeth sweater in time for VK Live!"

She was one of those people that made you feel comfortable to talk with right from the start. I enjoyed spending time with her both at work and personally. I felt when working on any project with her it was always a collaboration, never a confrontation or battle of wills.

I remember eating dinner, all appetizers, with her, Susan and Betsy one night at the end of TNNA and we all had a great time with many laughs. We got several funny looks from the tables around us because we were being loud and having way too much fun!
-Heather 



Chelsea and I would tease each other about our opposite sweater styles. She loved loose fitting sweaters with miles of stockinette; I favor fitted lace, cables and ruffles. Last week when I checked my ravelry friend’s activities, I noticed she had favorited a cute cabled tunic in Ariosa. When I saw her collecting Ariosa, I told her I knew what she was going to make and thought it was beautiful. She laughed and said she had already changed her mind and found a nice “boring” stockinette sweater to make with the yarn instead.
-Cheryl 



You're already sorely missed, Chelsea.
(She jumped up to take this photo – quick to avoid being in front of the camera.)

Chelsea had been working on a Liberty Wool Print pullover for a long time. She usually stuck with neutral, solid yarns so it was a huge leap for her. While knitting at the lunch table, Chelsea repeatedly broke the yarn, dug through a project bag of partial balls, carefully chose one, re-joined the yarn and continued knitting.

She was meticulously, row by row, matching the stripes of the printed yarn she was knitting with the other half of the sweater that was already done. It was hilarious and everyone poked fun at her. She took it all with a big smile and undoubtedly had plenty of witty one-liners ready in response. There are few instances where I've ever had more fun knitting.

I got to share much of my work at CEY with Chelsea, usually because she ended all of her e-mails with "can I help?".
Meg


She was our voice (online and more), and a shining light. We will miss her very much. Chelsea leaves behind a legacy of joy and creativity. She also leaves quite a few WIPs!

Are you ready?

No matter how much wool is on my needles, it doesn't quite feel like fall until the leaves begin to change.

Dust of Snow from The Road Not Taken

Are you ready?

Designer Spotlight: Tabetha Hedrick


Tabetha is the designer behind the Esmeralda Shawl, this week's free pattern featured in the Web-Letter, as well as multiple designs in our Spring and Fall collections. Learn more about Tabetha on her website and blog, and be sure to check out her other designs on Ravelry. Read on to learn about her creative process, how she got started, and to hear her advice for aspiring knit designers! 

Visit the CEY website to sign up for the weekly Web-Letter, delivering free patterns, news and more to your email inbox every Tuesday. 


Esmeralda Shawl in Sanibel, from Web-Letter 255

How long have you been designing?
I think I started designing in early 2010, so a little over 2 years now. How did you get started? It all began with an evil plot inside of Jill Wright’s mind… haha! Well, maybe not quite. I had been knitting for about 5 or 6 years and playfully tweaking and jotting notes to design patterns for personal use, so the leap wasn't that big. One cold, rainy day, as I was sitting inside McDonald’s, knitting happily away while my kids played on the playground, this lovely English lady, Jill (an amazing knitwear designer), plopped herself down at my table to pepper me with questions about my knitting and background. Now, anyone who knows Jill would be quite shocked that she came up to someone so boldly, but you can’t deny which way fate tells you to go. Anyways, she asked if I ever thought about designing, to which I replied, “Design what?” Jill – “knitting patterns for magazines like Vogue or Interweave.” Me – “You can DO THAT?!” Who knew that magazines and yarn companies work with little ol’ gals like me?!
Jill and I clicked right away. She handed me her card, told me I should email her sometime, and I promptly went home to do exactly that. I was eager and ready to unleash my creativity in a new outlet. Jill unwittingly became my mentor and greatest cheerleader as I put together my first proposal. Shortly thereafter, she pointed me in the direction of an online knitwear design class taught by Mary Beth Temple, who taught me so much (and also unwittingly became my other mentor in the field). The rest is still being written in the history books.

 What's the first piece you ever designed (not necessarily for CEY)?
 Probably the first thing I ever designed was my Anu Socks, but my first design that was accepted for “outside” publication was the Leaf Trim V-Neck for Creative Knitting Magazine.

Fortuna in Kumara, from booklet #9194, Serendipity

What is the timeline for one of your designs, from swatch to pattern to sample?
In this field, it has to be pretty quick! Once I receive the yarn for a project, I swatch (block, dry, and carefully measure the gauge!), and then immediately calculate and flesh out the main body of the pattern. Knitting begins right away and I can typically finish an intermediate sweater sample in about two weeks. Smaller projects, such as socks or cowls, can be done in about 4-5 days. I imagine I might even be a bit faster, but as a stay-at-home mom to two amazing (and energetic) daughters, as well as managing a household and all the duties THAT entails, I can usually only knit about 2-3 hours a day before I collapse in to bed.

Swatching in Fresco for Heiress

Approximately how many patterns do you publish a year?
Currently, I am in the 18-20 range a year, though I fully expect that to increase by the end of this year. Do you use test knitters? Yes and no. When it comes to independently published designs, I do, but in the magazine/yarn company field, often there isn’t enough time.

What is your "design process"?
My design process typically follows this path: First - inspiration from just about anywhere – silhouettes, fashion runway shows, stitch patterns, yarn, nature, woodwork. I never can quite anticipate when the muse decides to hit. Next, I throw those ideas on to paper. I sketch and sketch and sketch…. And that method alone often leads to more new design ideas. Sometimes, my sketches don’t go anywhere, but when I am ready to pursue a particular concept, I swatch with different yarns or stitch patterns to see what works best. Lastly, I dive head first into putting the entire concept together.


Where do you do your design work? What does your "creative space" look like?
Our home is quite small, so my “office” is located on the dining room table with notepads, sketch pads, and pens shoved into nearby shelves. My yarn, swatches, and knitting tools take up various places throughout the house (to the woe of my husband). Needless to say, I am insanely jealous of designers with their own space, craft studios, and offices.

Heiress in Fresco, from booklet 9191, Hill House

What is your favorite piece you designed for the Fall CEY collection? What was your inspiration?
I think my most favorite is the newest design in the Fall Collection – Heiress. I kept seeing these beautiful embroidered tops on the runway and thought it would translate well to lace, and it did! The raglan sleeve caps just pair so nicely with the diamond lace, while the ribbed collar and cuffs give just enough contrast without being too stark. I think the fit is just beautiful.


What advice would you give someone who is interested in knit design?
First and foremost, have a support system and keep your chin up. This is a hard, hard market to break in to, but as long as you carry yourself professionally, take constructive feedback well, and ignore the haters, you’ll be on the right road.

Unfinished Business


With over 130 pieces to photograph for our Fall 2012 collection, completing sample garments could be a little down-to-the-wire. Here, Kim binds off the sleeve on Lone Wolf, a pullover in Alpaca Sox from the new booklet Cascading Waters, while model Mackenzie looks on.

How to...Knit Pleats


Andi Clark's Comet sweater is the perfect transitional piece. Knit in Soft Linen, it features lace panels on the bodice, a cute seed stitch and lace collar, and kicky pleats flowing from an empire waist. The yarn is transitional too, combining wool, linen and baby alpaca in almost equal proportions in what Clara Parkes called "a perfect example of a smart fiber blend.".

The pleats are cleverly constructed, and when my coworker Cheryl suggested we do a blog post about it after puzzling through the instructions on her own, I thought it was a great idea!


Supplies: 2 DPN's, US 6, and your knitting (obviously).


1. Knit to within four stitches of your reverse stockinette section. Slip these four knit stitches to one DPN and hold in the front. Slip the next four purl stitches to the other DPN and rotate the needle clockwise.


2. Hold all the needles together and knit 3 together, one stitch from each needle, 4 times.


3. To make your left pleat, slip the next four stitches to a DPN and hold in the back. Slip the next 4 purl stitches to a second DPN.


Rotate it counterclockwise so that the RS is facing the stitches on the first DPN. Knit 3 together, one stitch from each needle, 4 times.


Voila! It's almost like you're folding it in on itself and "sewing" it together. Happy knitting!


How to make 3-D flowers


The Dahlia headband, designed by Tonia Barry for our Spring 2012 collection, sports three-dimensional flowers on a garter and stockinette headband in Cotton Bam Boo Print. Having trouble understanding the instructions? Tonia took some photos on-the-fly while she was knitting up her sample. If you would like to knit one yourself, you can purchase the pattern as an instant pdf download here (Ravelry link). 

Knit your petals. Make 12, 6 for each flower. Cut a 24" piece of yarn and fold it in half. Thread it through a tapestry needle.


Insert through each of the four eyelets in each of the six petals for the first flower.